Torontoist: SFH’s new LP gets thumb’s up!
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I bought Johnny Ramone’s posthumous biography a few days ago, in Belleville, on the way up to the cabin. I liked the cover, above, and the design. I’m a sucker for great design, which is why I loitered at the National Post longer than I should have.
I bought Commando because the Ramones made the greatest album in the history of the world, and because – for the first four LPs, at least – they were the greatest band on the planet. They were perfect.
I read it in a couple of nights. The book is a first-person account of the life of the Ramone’s one and only guitarist. The project was overseen by Ramone’s widow and one of his closest friends, which is one of the main reasons why it is such an eminently dislikable book.
Being an Irish Catholic, all of you know how much I fear speaking ill of the dead. It’s a really bad idea; it’s dangerous. The subject of the criticism never hears about it, and the author of the criticism usually ends up looking like a creep. So I don’t do it.
Commando, however, will persuade you to speak ill of the dead – in this case, the former John Cummins, who has been dead for nearly a decade. In this slender tome, Johnny comes across as a bigot (people he doesn’t like are “faggots”), a Right-wing loon (he lionizes Ronald Reagan and John Wayne, and he calls anyone to the Left of George W. Bush a “commie”), and an asshole (he repeatedly smears Joey, Dee Dee and Marky Ramone, but never once apparently considered breaking up their profitable partnership, or even getting their side of the story). He comes across as an unmitigated jerk.
Any of us who are into punk rock always knew that Johnny Ramone was a grouch, and a conservative. But what I didn’t know – what a lot of punks didn’t know, I suspect – was what a crummy person he was. And that he himself would provide the evidence of said crumminess.
If you love the Ramones, don’t read this book. It always sucks to discover one of your heroes is a jerk, and that’s all you’ll discover in Commando.
Hey, Simon from Ugly Pop here. It was an honour to release this– one of my very favourite Canadian records ever! Glad you were happy with it, Warren. We made a new master from OG wax and the sleeve/insert were recreated by the entirely excellent Darrin Crosgrove. Locals, you can pick it up at Hits & Misses (799 Queen St West), Volume (588 Markham, just south of Bloor) or Rotate This (next to Hits & Misses). Elsewhere, mailorder is through our website (uglypop.bigcartel.com). If you like this, please check out our other Canadian reissues too.
After THIRTY-TWO YEARS – the Hot Nasties’ EP has been re-issued by Ugly Pop records!
We recorded it in a garage in Calgary in 1980, overseen by a couple of hippies who were absolutely mystified by these angst-riden teenagers who couldn’t sing or play. That’s me on the left, Sane Wayne Ahern to the right, then Ras Pierre Schenk, and (fittingly, under a burst of light, because he later became a monk) Just Plain Tom Edwards. The pic was taken by Barrie Wright, R.I.P., outside the Calgarian Hotel one night. None of us was ever stabbed to death there, but God knows many tried.
You can buy the EP, which has been amazingly re-created by the Ugly Pop guys, here. The sound quality frankly blows me away. Nice job on the line-by-line recreation of the sleeve and insert, too.
2012 is a year for punk! Hot Nasties re-issued, and SFH releases its concept album, Why Do You Hate Me? Pick ’em up now, pick ’em up often!